So You Want to Talk About Race by Ijeoma OluoIn this breakout book, Ijeoma Oluo explores the complex reality of todays racial landscape--from white privilege and police brutality to systemic discrimination and the Black Lives Matter movement--offering straightforward clarity that readers need to contribute to the dismantling of the racial divide
In So You Want to Talk About Race, Editor at Large of The Establishment Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the N word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers dont dare ask, and explains the concepts that continue to elude everyday Americans.
Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned, and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates and Roxane Gay, and Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylors seminal essay The Meaning of a Word.
5 Women In Publishing Talk About Why Books About Race And Gender Are So Popular Now
Cancel anytime. In this groundbreaking historical expose, Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an Age of Neoslavery that thrived from the aftermath of the Civil War through the dawn of World War II. In this groundbreaking history of the modern American metropolis, Richard Rothstein explodes the myth that America's cities came to be racially divided through de facto segregation - that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, he incontrovertibly makes clear that it was de jure segregation - the laws and policy decisions passed by local, state, and federal governments - that actually promoted the discriminatory patterns that continue to this day. Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent meaningful cross-racial dialogue.
Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Finding libraries that hold this item The desire to avoid conversations about race can actually feel rational, as if there's nothing to be gained in more talking. But Oluo offers us a way through with her bold combination of directness and empathy she allows space for us to admit that even people of color need parameters and working definitions. In a time when words are misused then rendered meaningless, while the actual painful condition and systems we need to address persist and grow and worsen, Oluo offers us a reset, a starting point, a clear way forward. Kelly "I am in awe of Ijeoma.
So You Want to Talk About Race [Ijeoma Oluo] on allnativecircleconference.com *FREE* Hardcover: pages; Publisher: Seal Press; 1st Edition edition (January 16, ).
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The Booker Prize -winner Marlon James wrote that it was "essential" and "begging to be written". Trevor Phillips reviewed the work for The Times. Evaristo described the work as "timely and accessible", "comprehensive and journalistic" as well as "resolutely unacademic", comparing it to the work of African-American writer Roxane Gay , whose anthology Bad Feminist "treads some of the same ground". However, she critiques Eddo-Lodge for not engaging in enough "rigorous research, particularly into the past" and for the fact that she "completely overlooks" the work of Black British feminist writers like Beverley Bryan , Stella Dadzie and Suzanne Scafe. Evaristo also noted that the book leaves open further questions, such as "What is the responsibility of black people in creating change for ourselves? Without also taking responsibility, we are dependent and powerless. What about the numerous positive developments since Windrush?